![]() ![]() If worst comes to worst, Caruso's version from will have to do given it's a legitimate version put out by ITC. He continued to work on further weights and styles until 1960 while he was director of type development for Mergenthaler-Linotype in the USA. I do understand what you are saying about the transition from material to digital though and how there will likely be alterations in the process. Jackson Burke Foundry Linotype Overview The first cuts of Trade Gothic were designed by Jackson Burke in 1948. Developed by Jackson Burke, who was the director of typographic development at Mergenthaler Linotype at the time, the faces went by the simple name of Gothic, with a numeric suffix (Gothic No. /rebates/2fcollections2ftrade-gothic-font-linotype&. ![]() I'm more focused on getting a typeface that has at least similar characteristics in the letter forms themselves. The first of the typefaces that were to eventually make up the Trade Gothic family were released in the late 1940s. I'm not too worried about the kerning, tracking, and all that. Today the Type team’s mission is to make sophisticated and even experimental typefaces that explore the possibilities of design and technology. It's seen in a couple different letters as well, not as apparent but apparent enough for it to be noticeable on a smaller scale (I was examining the Franklin Gothic ATF typeface at 12pt., standard view, 100% zoom level, on a 8.5x11 canvas in Photoshop when I noticed the variations). The Adobe Originals program started in 1989 as an in-house type foundry at Adobe, brought together to create original typefaces of exemplary design quality, technical fidelity, and aesthetic longevity. The biggest give away is seen in the "N" and "A." There is a distinct change in weight along the stems and hairline of the "N." The "A" has a thinner left hairline compared to the right hairline and crossbar.
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